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Baccio Bandinelli (Florence, 1493-1560) was one of the sculptors that worked for the house of Medici during the first half of the XVI century. A pupil of Giovan Francesco Rustici, he was strongly influenced by Michelangelo. One of his main works, Hercules and Cacus, is visible in the Piazza della Signoria and seen by millions of tourists each year. He also worked in Rome where he had been called by pope Clement VII. But, while his talent for sculpture was put in doubt by critics and rivals (Benvenuto Cellini, for instance), Bandinelli's extraordinary drawing skills were universally appreciated - Vasari declared him "unrivalled" in this domain.

Over two hundred drawings held in the Louvre are analysed in this scholarly publication: they include autograph drawings, those by his workshop and those rejected.

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Etienne Dinet’s fortuitous discovery of Southern Algeria in 1885 completely altered his life and work. His deep attachment led to his complete integration into Moslem society with his conversion to Islam in 1913. This lavishly illustrated monograph highlights the important stages in the artistic and spiritual journey of this original artist who produced such sensitive, intimate and solemn work. A catalogue raisonné illustrating his work constitutes the second half of this book.

Giovanni Battista Franco (before 1510 - 1561) was an Italian mannerist painter, draughtsman and engraver. Native of Venice, he spent the first part of his career in Rome, but by 1536 had settled in Florence. Back in Rome by 1542, he painted a fresco of the Capture of Saint John the Baptist for the Oratorio di San Giovanni Decollato. In 1545 he was summoned by Duke Guidobaldo II to Urbino, where he painted frescoes in the Duomo (destroyed). The last ten years of his career were spent in Venice, where among his significant works are a Baptism of Christ for San Francesco della Vigna and the ceiling decoration of the Fondaco dei Tedeschi and the Biblioteca Marciana.

Franco is better known as a draughtsman and recent scholars such as A. E. Popham found much to praise in 'Franco's extraordinary skill, with his rather scratchy but effective line, and his combination of Michelangelesque and Raphaelesque forms.' Among his drawings there are numerous studies of antique subjects taken from Roman sarcophagi.

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Since the first edition of this book, La Vie et l’œuvre d’Eugène Fromentin, published in 1987 and awarded the Roger Bonniot Prize by the Académie de Saintonge in 1988, over sixty paintings and drawings by Eugène Fromentin have appeared on the market. To complete the Correspondance générale of this painter and writer, published in 1995, and his intellectual biography (Beaux-arts et Belles-lettres : la vie d’Eugène Fromentin), published in 2006, the authors, James Thompson and Barbara Wright, have produced a revised and enlarged version of their work. To accompany these new images, the text has been up-dated and some black and white illustrations have been replaced by colour. Furthermore, James Thompson and Barbara Wright have added, as an Appendix, an illustrated catalogue of nearly all the drawings in the family collection, a collection which remained virtually intact from the death of Eugène Fromentin in 1876 until that of his great-grandson, Erik Dahl, in 1986. This catalogue bears testimony to a unique collection, before its dispersal. Since their authenticity is beyond question, the items in this catalogue constitute a valuable resource in the identification of future paintings which may surface on the market. This new edition will provide the basis for detailed genetical studies of the major Orientalist paintings by Fromentin, while illuminating his talents as a draughtsman.

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The Catalogue raisonné encompasses the works of painting by Niki de Saint Phalles, including the shooting paintings, reliefs and assemblies, from 1949 to 2000. The works are presented in chronological order and in their original finished state, illustrated in colour or black and white. The Catalogue raisonné is only available together with the monograph in the decorated clam shell case.

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