A comprehensive explanation of Swiss wood carving, known as Black Forest, from 1820-1940. Written by experts on the subject. For many years 'Black Forest' carvings were thought to have been produced in the Bavarian Black Forest, in Germany, but it has now been established beyond all doubt that they were the sole province of the Swiss.

The wood carving industry of Switzerland originated in the picturesque town of Brienz. From humble beginnings as a cottage industry in the early 1800s it grew by the turn of the twentieth century to become the industrial driving force of a whole community. By 1910 there were some thirteen hundred carvers plying their trade in the locality of Brienz. The carving industry was driven by the tourist industry; Brienz, Luzern, Interlaken and other such picturesque resorts were in vogue with the wealthy Victorians.

Bears were particularly popular, being the symbol for the city of Berne, but musical boxes, musical chalets, furniture large and small, all figured in Swiss carving. The variety was immense, ranging from the religious, faithful reproductions of Leonardo da Vinci's Last Supper to the amusing and whimsical. Swiss 'Black Forest' carvings were exhibited at the London Great Exhibition of 1851, Chicago 1893, Paris 1900 and at many of the other great international exhibitions of the late nineteenth and early twentieth century. Carved wooden bears, stags and other furniture and works of art from the Swiss 'Black Forest' carvers stood alongside such great exhibitors of the time as Tiffany, Gallé and Linke. 'Black Forest' carvings were appreciated as truly great works of art at the time of their creation and indeed enjoyed royal patronage. Today there has been a tremendous revival in interest for them and the best pieces are highly sought after..

With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognised worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style.
The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackmans relentless research, fine analysis, and keen eye.

Nicholas Goodison revisits his earlier exhaustive study of Boulton's ormolu ornaments and his manufactory at Soho, and unearths new and previously unpublished material. This book covers the factory between the years 1768 and 1782, the methods by which ornaments were designed, made and marketed and Boulton's own keen interest in promoting the business. It is a comprehensive account of the range of vases, candelabra, clock cases and other ormolu ornaments and of the customers who bought them. The author has once again combined meticulous research with a narrative style that makes the book a pleasure to read. Most of the photographs have been taken especially for this study, and the ornaments are described and illustrated in greater detail and in larger numbers than ever before..