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  11      Préface Henri Loyrette

  12      Avant-propos

Carel van Tuyll van Serooskerken

  14      Notes pour l'utilisation du catalogue

  17      BATTISTA FRANCO SA VIE ET SON ŒUVRE

  57      BATTISTA FRANCO SON ŒUVRE DESSINÉ

  79      PLANCHES

129      BATTISTA FRANCO

ACCUEIL PAR LA CRITIQUE ET RENOMMÉE POSTHUME

151CATALOGUE RAISONNÉ

153      Dessins par Battista Franco

281      Copies d'après Battista Franco

297      Dessins rejetés

321      BIBLIOGRAPHIE ET EXPOSITIONS CITÉES EN ABRÉGÉ

339      TABLE DE CONCORDANCE ET INDEX

340      Table de concordance

341      Index des collectionneurs cités

342      Index des dessins cités

345      Index des noms propres

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Battista Franco. Inventaire général des dessins italiens du Louvre Tome 8

Writer : Lauder Anne Varick

Editor : Officina Libraria

95.00 €   remise 5%  90.25 €


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France free delivery to 29 €

Availability : 4 Days

Pub year : 2009

Pages : 416

Collection : Inventaire général des dessins italiens T.8

S : 22X28

Pictures : 324

Includes colors : 50

Binding : Relié

Language : Francais

ISBN : 9788889854457

Museum catalogue : -

Exhibition catalogue : -

Complete Catalogue : -

Marks :

Quote : -

Bibliography : oui

Index : oui

Glossary : -

EAN : 9788889854457

Giovanni Battista Franco (before 1510 - 1561) was an Italian mannerist painter, draughtsman and engraver. Native of Venice, he spent the first part of his career in Rome, but by 1536 had settled in Florence. Back in Rome by 1542, he painted a fresco of the Capture of Saint John the Baptist for the Oratorio di San Giovanni Decollato. In 1545 he was summoned by Duke Guidobaldo II to Urbino, where he painted frescoes in the Duomo (destroyed). The last ten years of his career were spent in Venice, where among his significant works are a Baptism of Christ for San Francesco della Vigna and the ceiling decoration of the Fondaco dei Tedeschi and the Biblioteca Marciana.

Franco is better known as a draughtsman and recent scholars such as A. E. Popham found much to praise in 'Franco's extraordinary skill, with his rather scratchy but effective line, and his combination of Michelangelesque and Raphaelesque forms.' Among his drawings there are numerous studies of antique subjects taken from Roman sarcophagi.

(ACC)

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