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Contemporary Jewellery

    6      Fritz Falk

The Padua School

La Scuola di Padova

Graziella Folchini Grassetto

Contemporary Jewellery

The Padua School

Gioielleria Contemporanea

La Scuola di Padova

 

  12      Introduction Introduzione

  14      one uno

Mario Pinton and the "Pietro Selvatico"

State Institute of Art in Padua. From the 1950s.

Morio Pinton e l'Istituto Statale d'Arte

«Pietro Selvatico» di Padova. A partire

dagli anni Cinquanta.

 

  26      two due

Mario Pinton and

Experimental Jewellery Design in Italy and Europe.

Panorama della coeva sperimentazione orafa

in 'tafia e in Europa in rapporta a Mario Pinton.

 

  38      three tre

Francesco Pavan. Programmatic and Kinetic

Art in Padua in the 1960s. Francesco Pavan e l'Arte

Programmata e Cinetica a Padova. Gli anni Sessanta.

 

  50      four quattro

The Influence of Programmatic and Kinetic

Art from the 1960s to the 1980s.

Influenza dell'Arte Programmata e Cinetica su

alcuni autori. Dagli anni Sessanta agli anni Ottanta.

 

  66      five croque

Giampaolo Babetto and Minimalism in Padua.

The 1970s. Giampaolo Babetto e il Minimalismo

a Padova. Gli anni Settanta.

 

  72      six sei

The Influence of Minimalism on certain

Designers in the 1970s and 1980s. Influenza della

cultura minimalista su alcuni autori.

Gli anni Settanta e Ottanta.

 

  84      seven sette

Beyond Geometrical Models. Experimentation

in the 1980s. La sperimentazione offre il modello

geometrico. Gli anni Ottanta.

 

  94      eight otto

The New Generation of Artists. The 1990s.

Artisti dell'ultima generazione. Gli anni Novanta.

 

114      vine nove

New Logics in the Use of Geometry.

From the 1990s to the Present. Nuove dialettiche

nella elaborazione geometrica dagli anni Novanta a oggi.

 

136      ten dieci

The Padua School in the Veneto as a Whole:

from the 1980s to the Present.

Artisti dell'area veneta coinvolti nella ricerca padovana.

Dagli anni Ottanta a oggi.

 

150      Retrospective Section of Exhibitions

Sezione retrospettiva

delle esposizioni

 

154      Biographies Biografie

165      Bibliography Bibliografia

www.lepuitsauxlivres.com

Contemporary jewellery. The Padua School / Gioielleria contemporanea. La Scuola di Padova

Writer : Folchini Grassetto Graziella

Editor : Arnoldsche

49.80 €


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Availability : Ok

Pub year : 2005

Pages : 168

Collection :

S : 24X28

Pictures : 160

Includes colors : OUI

Binding : Relié sous jaquette

Language : Italien Anglais

ISBN : 3 89790 202 8

Museum catalogue : -

Exhibition catalogue : -

Complete Catalogue : -

Marks :

Quote : -

Bibliography : oui

Index : -

Glossary : -

EAN : 9783897902022

The Padua School is emanated from the ‘Istituto Pietro Selvatico’ in Padua. The distinctive features of this jewellery are the use of gold reminiscent of the goldsmith’s art in antiquity and a modern and abstract formal idiom individualised within the group. Mario Pinton, who brought the movement international recognition and acclaim in the 1950s and ’60s, is credited with founding the experimental goldsmithing movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic, geometric formal idiom. The breakthrough on the international jewellery scene took place in the late 1960s with Giampaolo Babetto, under whose tutelage the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewellery such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued on the lines already laid down or, by experimenting with the use of new materials including plastic and an expressive formal lexis, each went their own highly individual ways. A long awaited survey of more than fifty years of art jewellery from the Padua School covering its work from 1950 to the present. Works by the master goldsmiths Mario Pinton, Francesco Pavan and Giampaolo Babetto and other artists together add up to the distinctive, typically ‘Paduan’ look in art jewellery.

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