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    7        Vorwort

              Preface

  11        Dank

              Acknowledgments

  14        Was vorher war — Geschichte, Handwerk und Industrie,

              Stil und Form

              What used to be there -history, crafts and industry, style and form

  28        „Do macht mer Fabrikande ..."

            fünf typische Pforzheimer Lebenslâufe

               "There we make industrialists ..." — five lives typical of Pforzheim

  42        Doublé — ein „Pforzheimer" Werkstoff

              Doublé [rolled gold] — working with a "Pforzheim" material

  48        Der Kunstgewerbe-Verein Pforzheim

              Die Gestaltungswettbewerbe

              The Pforzheim Kunstgewerbe-Verein [Applied Arts Association]

              The Design Competitions

  56        Die Kunstgewerbeschule Pforzheim und ihre Professoren

              The Kunstgewerbeschule Pforzheim [Applied Arts School]

              and its professors

  68        Rudolf Rücklin und Das Moderne im Schmuck

              Rudolf Rücklin and Das Moderne im Schmuck

              [The Modern Style in Jewellery]

  80        Pforzheim und Paris — wechselvolle Beziehungen

              Pforzheim and Paris — fraught relations

  88        Pforzheim in Paris

              die Beteiligung an der Exposition Universelle 1900

              Pforzheim in Paris

              showing work of the Exposition Universelle 1900

  98        Puiser Vorbild — Pforzheimer Nachahmung

              Paris the model — imitated in Pforzheim

108        Ein Künstler fur die Industrie — Georg Kleemann

              An artist for industry — Georg Kleemann

120        Der Fall Lauer & Wiedmann

               The case of Lauer & Wiedmann

134        Pforzheimer „Zeichner"

              Pforzheim "draughtsmen"

140        Die Weltausstellung in St. Louis 1904

              Ausklang des Jugendstils

              The 1904 St. Louis World's Fair

              the swan song of Art Nouveau

146        Was danach kam

              The aftermath

 

Firmen    Companies

154        Theodor Fahrner

172        Gebrüder Falk

178        Louis Fiessler & Cie.

182        Karl Hermann (Hermann & Speck)

196        Kollmar & Jourdan

202        Lauer & Wiedmann

208        Levinger & Bissinger (Heinrich Levinger)

244        Martin Mayer

248        Victor Mayer

258        Meyle & Meyer

272        C. W. Müller

276        A. Odenwald

288        Rodi & Wienenberger

298        Mathias Scheidel

302        Fr. Speidel

308        D. F. Weber

312        Wild & Cie.

316        F. Zerrenner

326        Firmen-Stempel // Maker's marks

327        Namens-Register // Index of names

328        Literatur (Auswahl) // Literature (selection)

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Jugendstil-Schmuck/Art Nouveau Jewellery aus/from Pforzheim. (Bijou Art Nouveau).

Writer : Falk Fritz

Editor : Arnoldsche

49.80 €


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France free delivery to 29 €

Availability : 4 Days

Pub year : 2008

Pages : 327

Collection :

S : 23X29

Pictures : Oui

Includes colors : Oui

Binding : Relié sous jaquette

Language : Anglais Allemand

ISBN : 978-3-89790-280-0

Museum catalogue : -

Exhibition catalogue : -

Complete Catalogue : -

Marks : 18

Quote : -

Bibliography : oui

Index : oui

Glossary : -

EAN : 9783897902800

Around 1900 the Pforzheim jewellery-making industry, which had been established since 1767, underwent an upturn to flourish as never before. The participation of Pforzheim businesses in the 1900 Paris World Exhibition and the thorough assimilation of a variety of influences from abroad – including the figurative French Art Nouveau style – ensured that Pforzheim Art Nouveau jewellery developed confidently towards aesthetic autonomy. Collaboration between the jewellery industry and professors at the Pforzheim School for the Applied Arts as well as sharp eyes for new developments outside the jewellery capital shaped Pforzheim jewellery creations around 1900. Other fecund sources of colla-boration were the Darmstadt Mathildenhöhe artists and Wiener Werkstätte. The author has discovered hitherto unpublished contemporary source material and has been able to draw on hundreds of extant original pieces of jewellery – brooches, pendants, collars, hatpins and hair combs that are now in museums, private collections and on the art market – to make a choice selection for this book. Thus a living picture emerges of the diverse formal and technical -possibilities that gave rise to the design, craftsmanship and industrial manufacture characteristic of Pforzheim Art Nouveau jewellery. Many important designers worked for the Pforzheim jewellery industry around 1900. This is the first wide-ranging survey – informative on both artists and firms and lavishly illustrated. Artists (a selection): Franz Böres | Max Gradl | Patriz Huber | Georg Kleemann | Ferdinand Morawe | Otto Prutscher | Emil Riester Fritz Wolber Firms (a selection): Theodor Fahrner | Gebr. Falk | Hermann & Speck | Kollmar & Jourdan | Lauer & Wiedmann | Levinger & Bissinger | Victor -Mayer | Meyle & Mayer | A. Odenwald | Rodi & Wienenberger

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