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Chefs-d'oeuvre des marqueteurs Tome I, des origines à Louis XIV Chefs-d'oeuvre des marqueteurs Tome I, des origines à Louis XIV Chefs-d'oeuvre des marqueteurs Tome I, des origines à Louis XIV Chefs-d'oeuvre des marqueteurs Tome I, des origines à Louis XIV

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Préface                                                                                                          5

Avant-propos                                                                                                7

PREMIÈRE PARTIE

HISTOIRE DU DÉCOR EN PLACAGE : évolution des procédés                 9

Note sur le découpage de la nacre                                                               10

Tarsia geometrica                                                                                        13

Le décor du studiolo de Gubbio au Metropolitan Museum of Art               16

Tarsia a toppo ou marqueterie à bloc                                                          20

Tarsia a incastro                                                                                          21

Le meuble Boulle                                                                                        22

Table-console en contre-partye attribuée à A.-C. Boulle                             24

Pendule Louis XIV (vers 1680)                                                                  28

Mise en oeuvre d'un ouvrage dans le style de Boulle                                  31

L'écaille                                                                                                       31

L'ivoire                                                                                                        34

Table d'écriture et de lecture, Pierre Gole (1674)                                        34

La corne                                                                                                      36

Constitution d'un paquet pour découper la partye et les contre-partyes       37

Instruments à découper la marqueterie                                                        37

Découpage des partye et contre-partye(s) en superposition                         38

Incrustation                                                                                                 40

Colles utilisées dans la marqueterie                                                             40

Table d'André-Charles Boulle                                                                     41

Peintures en bois ou marqueterie à quatre couleurs                                     51

Réalisation d'une peinture en bois                                                               52

Bois de pays et bois des Indes                                                                     54

Coffre de l'époque Louis XIV (vers 1675-1680)                                        59

La marqueterie de pierres dures                                                                  63

Découpage de la pierre dure                                                                        64

Les manufactures                                                                                        67

Le chef-d’œuvre d'André-Charles Boulle                                                    70

SECONDE PARTIE

FLORILÈGE DE LA MARQUETERIE                                                        71

La marqueterie de la Bastie d’Urfé                                                             72

Cabinet d'apparat de la fin du XVIIe siècle                                                 75

Table-console d'époque Louis XIV, fin XVIIe siècle                                  80

Paire d'armoires-médaillers, époque Louis XIV                                          84

Table tripode attribuée à Pierre Gole vers 1680                                          88

Cabinet de la fin du XVIIe siècle attribué à Pierre Gole                              94

Table Louis XIV vers 1670-1680                                                                96

Coffre d'André-Charles Boulle vers 1680-1685,

appartenant au duc de Malborough                                                           102

Coffres d'André-Charles Boulle vers 1680-1685,

appartenant au J.P. Getty Museum                                                            103

Cabinet A.-C. Boulle appartenant au Musée du Louvre                            108

Reproduction partielle d'une armoire d'A.-C. Boulle                                 110

Cabinet Louis XIV attribué à A.-C. Boulle                                                114

Cabinet de la fin du XVIIe siècle (Musée des Arts Décoratifs)                 122

Reproduction d'une écritoire du XVIIe siècle                                            126

Bureau à huit pieds de la fin du XVIIe siècle (Musée des Arts Décoratifs)      128

Commode du XVIIIe siècle (Musée Cluny)                                              133

Bureau à huit pieds pour l'Électeur de Bavière                                          134

Armoire du XVIIIe siècle Atelier de Philippe-Jean et Charles-Joseph Boulle 142

Commode du début du XVIIIe siècle                                                        144

Lambris d'un cabinet du Louvre                                                                150

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Chefs-d'oeuvre des marqueteurs Tome I, des origines à Louis XIV

Writer : Ramond Pierre

Editor : Vial

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France free delivery to 29 €

Availability : 8 Days

Pub year : 2001

Pages : 150

Collection :

S : 25X35

Pictures : Oui

Includes colors : Oui

Binding : Relié sous jaquette

Language : Francais

ISBN : 978-2-85101-029-2

Museum catalogue : -

Exhibition catalogue : -

Complete Catalogue : -

Marks : Non

Quote : -

Bibliography : -

Index : -

Glossary : -

EAN : 9782851010292

Since the publication of the ground-breaking Marquetry written by Pierre Ramond, the world's foremost authority, and considered by art historians and craftsmen alike the "bible" of the craft no other book has made significant contributions to the art of "painting" with wood. Now, with the three volumes that comprise Masterpieces of Marquetry, Pierre Ramond brings the results of his continued studies to novice and advanced marqueters, collectors, restorers, art historians, and enthusiasts of this ancient art that continues to find expression among craftsmen today. In Volume I: From the Beginnings to Louis XIV, Ramond begins his examination of the designs and techniques using natural or stained wood veneers and animal materials (tortoiseshell, bone, horn, mother-of-pearl, ivory, shark skin, etc.) to create beautiful and highly sought-after marquetry compositions on pieces of furniture. Raymond's studies demonstrate important connections, such as the relationship among pieces of furniture (i.e., their origin; the specific techniques of their execution, which sometimes demonstrate a common maker) now in major museums and pri­vate collections. The marquetry panels on the stand for the coffers by André-Charles Boulle in the J. Paul Getty Museum (page 103), for example, are the counterparts of the stands for a pair of cabinets in the Musée du Louvre (page 109), cut by the same hand. From ancient times to the present, here is the first comprehensive survey of the art of marquetry and a careful selection of marquetry masterpieces their history, tools, and techniques, reproduction, and restoration by some of the greatest cabinetmakers and marqueters in the world.

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