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  12      Vorwort

Preface

  16      Betrachtungen des Sammlers

Reflections of the Collector

Bengt Nystrôm

  18      Rôrstrand Porzellanmanufaktur um 1900

The Rôrstrand Porcelain Factory ca 1900

  25      Ein neuer Stil

 A new Style

  34      Die Keramik im Spiegel der grog en Ausstellungen

Ceramics Mirrored in the Great Trade Fairs

  46      Die Fabrik, die Produktion und die Kunst-Keramik

The Factory, its Products and Art Ceramics

  62      Die Kunst-Keramik

            The Art Ceramics

  83      Rôrstrand – Porzellan-Objekte

            Rôrstrand – Porcelain-Objects

204      Die Künstler, die Signaturen

            Artists, Signatures

Anhang

Appendix

216      Rôrstrand bei wichtigen Ausstellungen (1889-1917)

            Rôrstrand at important Exhibitions (1889 –1917)

220      Literatur

Literature

222      Namens-Register

Index of Names

224      Impressum

            Imprint

www.lepuitsauxlivres.com

Rörstrand Art Nouveau Porcelain from Sweden

Writer : Nyström Bengt

Editor : Arnoldsche

49.80 €


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Availability : Ok

Pub year : 2011

Pages : 192

Collection :

S : 24X31

Pictures : Oui

Includes colors : 300

Binding : Relié sous jaquette

Language : Anglais Allemand

ISBN : 978-3-89790-341-8

Museum catalogue : -

Exhibition catalogue : oui

Complete Catalogue : -

Marks : Oui

Quote : -

Bibliography : oui

Index : oui

Glossary : -

EAN : 9783897903418

The appearance of the Rörstrand porcelain factory from Stockholm at the 1900 world exhibition in Paris was brilliant: the world had never seen such expert handling of porcelain mass – some in the form of waferthin petals – and an underglaze colour palette with such subtle nuances. The critics were full of praise and the economic success was soon to follow.
The foundation for this laid in the cooperation between Rörstrand and the painter Alf Wallander, who had worked for the manufacturer from 1894/1895. By 1896 Rörstrand had his first big success with the porcelain designed by Wallander at exhibitions in Stockholm, Malmö and Gothenburg. Its artistic rise finally began in 1897 with the Art and Industry Exposition in Stockholm and found its crowning moment in Paris, the International Exhibition of Modern Art in Turin in 1902 and the World Exhibition in St. Louis in 1904. Rörstrand could now compete on an international level alongside the two significant Danish manufacturers Royal Copenhagen and Bing & Grøndahl.
Wallander combined the underglaze painting cultivated in Copenhagen with a plastic modelling. The reliefs of the famous Rörstrand vases were all carried out by hand and are unique pieces. Other artists who worked with Rörstrand included Per Algot Eriksson, Nils Lundström and Karl and Waldemar Lindström, who all advocated a naturalistic Art Nouveau style (ca. 1895 to 1910).
Rörstrand’s porcelain factory had already been founded in 1726 as a faience factory. For over 120 years it produced fine stoneware; later majolica, bisque porcelain and Parian ware were added, and also the porcelain production from around 1895, with which Rörstrand rose to world renown.
Finest underglaze painting and delicate free-formed relief and a jour decoration helped establish the Rörstrand porcelain factory’s rise to international fame. With approximately 170 objects the publication shows outstanding examples of the Rörstrand production at the time of Art nouveau.
Exhibition in the International Ceramics Museum,Weiden (branch of Die Neue Sammlung Neue Sammlung, Munich) from 16.10.2011 – Mid-January 2012
 

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