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Daniel Shaffer

    6      Preface

Peter Hoffmeister

    7      Introduction and Acknowledgements

Elena Tsareva

  15      Introduction

  16      The Historical Background

  20      THE FIRST STORY. Salors and Chodors. Partners or Riyals?

  22      THE SECOND STORY. The Salors. Voices from the Past. Only Masterpieces.

  28      Images: cat. 1-17

  39      THE THIRD STORY. Saryks. Who Invented Symmetric Knotting?

  42      Images: cat. 18 -27

  48      THE FOURTH STORY. Tekke. Newcomers to the Field. To Sell or not to Sell?

  54      Images: cat. 28 - 73

76 THE FIFTH STORY. The Yomut. Between the Caspian and the Amu Darya.

  79      Images: cat. 74-86

  87      THE SIXTH STORY. The `Eagle' Group. Who Were the Weavers?

  89      Images: cat. 87-91

  92      THE SEVENTH STORY. Chodor and Igdyr. Purple as the Ploughed Earth.

  94      Images: cat. 92-103

102      THE EIGHTH STORY. The Arabachi. Rare and Beautiful.

104      Images: cat. 104 -106

107      THE NINTH STORY. Middle Amu Darya. The Babylon of Central Asia.

111      Images: cat. 107-134

128      THE TENTH STORY. Unidentified Rugs. To Attribute or Not?

131      Images: cat. 135-139

133      THE ELEVENTH STORY. Tent Bands. Children of the Steppes.

136      Images: cat. 140 -166

147      THE TWELFTH STORY. Flatweaves and Embroidery of the Turkoman.

149      Images: cat. 167-168

152      Description and Analysis of Objects, cat. 1-168

 

Deutsche Übersetzung:

 

Daniel Shaffer

170      Vorwort

Peter Hoffmeister

170      Einfiihrung und Dank

Elena Tsareva

173      Einführung

174      Der historische Hintergrund

175      STORY 1. Salor und Chodor. Partner oder Rivalen?

176      STORY 2. Die Salor. Stimmen aus der Vergangenheit. Nur Meisterwerke.    

            Abbildungen: Kat-Nr. 1-17

179      STORY 3. Die Saryk. Wer erfand den symmetrischen Knoten?

            Abbildungen: Kat.-Nr. 18 -27

180      STORY 4.. Die Tekke. Newcomer auf dem Gebiet. Verkaufen oder nicht verkaufen? Abbildungen: Kat.-Nr. 28 -73

182      STORY 5. Die Yomud. Zwischen dem Kaspischen Meer und dem Amu Darya.

Abbildungen: Kat.-Nr. 74 - 86

184      STORY 6. Die :Adler -Gruppe. Wer knüpfte diese Teppiche?

            Abbildungen: Kat.-Nr. 87-91

185      STORY 7. Chodor und Igdyr. Purpur wie frisch gepfiügte Erde.

            Abbildungen: Kat.-Nr. 92-103

186      STORY 8. Die Arabachi. Selten und schôn.

            Abbildungen: Kat.-Nr. 104 -106

186      STORY 9. Der Mittlere Amu Darya. Das Babylon Zentralasiens.

            Abbildungen: Kat-Nr.-107-134

188      STORY 10. Nicht identifizierte Stücke. Zuschreiben oder nicht zuschreiben?

Abbildungen: Kat.-Nr. 135 -139

189      STORY -ri. Die Zeltbânder. Kinder der Steppe.

Abbildungen: Kat-Nr.14o-166

190      STORY 12. Flachgewebe und Stickerei der Turkmenen.

Abbildungen: Kat.-Nr. 167-168

192      Imprint Impressum

www.lepuitsauxlivres.com

Turkmen carpets Masterpieces of Steppe Art from 16th to 19th Centuries. Hoffmeister Collection.

Writer : Tsareva Elena

Editor : Arnoldsche

64.80 €


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France free delivery to 29 €

Availability : 5 Days

Pub year : 2011

Pages : 192

Collection :

S : 24X32

Pictures : Oui

Includes colors : 185

Binding : Relié sous jaquette

Language : Anglais Allemand

ISBN : 978-3-89790-342-5

Museum catalogue : -

Exhibition catalogue : -

Complete Catalogue : -

Marks :

Quote : -

Bibliography : -

Index : -

Glossary : -

EAN : 9783897903425

The Hoffmeister Collection is one of the best and most extensive private collections of antique and historic Turkmen knotted carpets in western Europe and America. It competes alongside important collections from Western museums as well as those in Russia and Turkmenistan. With almost 170 objects – among which are distinguished carpets and bags – artistic excellence and historical significance, in particular, come together. As one of the first to do so, Hoffmeister has determined the age of these knotted works of the Turkmen with the aid of radio-carbon techniques. According to the results from the science and technology university ETH in Zurich, the earliest pieces of the collection originate from the sixteenth century.
Both the cultural significance of the collection and the scientific and artistic value of its pieces are discussed in the book. The readers can literally sense the texture of these knotted wares through the brilliant photography, which carry them away on a journey into the lost world of the steppes folk of Central Asia.
The author Elena Tsareva is a curator and scientist and worked for some decades at the Russian Ethnographic Museum in St. Petersburg before switching to the Kunstkamera in St. Petersburg. As a specialist for Central Asian and North Eurasian art she particularly dealt with carpets and textiles.
Discover the fascination of Turkmen knotted works with the masterpieces of the Hoffmeister Collection. Brilliant illustrations and well-informed texts demonstrate the cultural significance of the collection and also the highly scientific and artistic value of its pieces.
 

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